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Category Archives: Quilt History


Humility Blocks – Truth or Fiction?

Have you ever made a mistake in a quilt block and not noticed it until the block or top was assembled? I know I have, and from the looks of many an antique quilt, I don’t seem to be alone. Often when a woman brings a quilt top for me to quilt on my longarm quilting machine, she sheepishly points out a mistake in the piecing. “Don’t look too closely,” she says. Actually, I probably never would have noticed the mistake if she hadn’t pointed it out to me. We tend to see the overall design when looking at a quilt and not the details of each block. I always assure her that it will probably go unnoticed unless she points it out. Then, I usually find myself quoting the old saying, “that will just be your humility block.”

A humility block is a quilt block with a mistake in it. Either the quilter didn’t notice the mistake until after the quilt top was assembled, or she intentionally left the mistake in the block, not wanting to take the time and effort to correct it. Over time, some superstitions arose about these blocks. One story says that the humility block must always appear at the lower right corner of the quilt. Another story says if a bride makes a perfect quilt, her marriage will be unhappy. Ouch! No room for perfectionism there!

I have heard that  Amish quilters intentionally make a mistake in their quilts because only God is perfect and making a perfect quilt is prideful. This is the classic example I use when justifying a piecing mistake in one of my quilts. However, when I researched the subject of humility blocks, I was surprised to learn that this information is a myth rather than a fact. Quilt historians, who have asked Amish quilt makers about the humility block, write that these women are shocked by such a suggestion. To the Amish, having to make a mistake on purpose suggests that their work is already perfect, which is prideful in and of itself . It’s like saying, “I’m so good at quilting that unless I mess up on purpose, I am perfect.” Obviously, there’s no humility in that!

In the Jo’s Little Women Club I attend at my local quilt shop, we have discussed this topic as it pertains to quilting in Civil War times. Time was valuable; it could not be wasted by ripping out mistakes. Thus, many quilts made during that era have mistakes in them. It had nothing to do with humility– there simply was no time to waste!

I was nearly finished with a quilt for Jo’s Club called Daffodil Hill, when I noticed there was a mistake in the border. One of the four patch blocks was turned the wrong way. (In the second four-patch from the left at the bottom of the quilt, the pink squares should be horizontal. The color pattern is messed  up when they are vertical.) I was tempted to rip it out and turn it the right way until I remembered our discussion about this subject. I laid my perfectionistic tendencies to rest, and left the block turned the wrong way just to prove a point to myself, I guess. Charm over perfection!

OOPS!

OOPS!

I don’t think we really need to justify our mistakes no matter how they got there. Mistakes are bound to happen when sewing together dozens of  little triangles and squares. Hopefully, no one will notice them, or better yet, in years to come people will find them to be charming little oddities in awe-inspiring pieces of art!  We will smile down from heaven as antique- lovers speculate whether the piece is upside down by mistake, or intentionally misplaced. :) -Cat



A Hiding Place in a Quilt?

My granddaughter recently went to the ballet, The Hiding Place. It gave me the opportunity to tell her more about the true story of the hiding place and its main character, Corrie ten Boom, whom I had personally met in 1971. I have long been inspired by Corrie’s life and testimony from her experience in the German prison camp, Ravensbruck. She was imprisoned there for hiding Jews in her home in Amsterdam during WWII. Corrie and her family had a deep love for the Jewish people and willingly hid several of them in their home during the war at the risk of losing their own lives. As I have gone through trials in my own life, I have often been reminded of one of her most remembered sayings, “There is no pit so deep, that God is not deeper still.”

Corrie ten Boom

Corrie ten Boom

Corrie's Autobiography

Corrie's Autobiography

The Hiding Place reminds me of two other stories that I read about recently involving quilts as hiding places. During the Civil War, a Union Army report described a search for a large Confederate flag. There were rumors that it would be flown again, and the Union soldiers did not want that to happen. Following a lead to a home where the flag was suspected to be in hiding, the Union soldiers demanded from the homeowner’s wife that the flag be turned over. Reluctantly, the woman and her daughters went to a bed that had already been searched and removed a quilt from it. As they cut through the stitches that held the quilt layers together and removed the top, a huge flag was revealed. It was at least two and a half times larger than the quilt itself and measured 9 feet wide by 21 feet long! There were 15 stars on it to represent the prospective Southern Confederacy. It has been said that it excelled any similar flag flown at the Battle of Bull Run or Manassas.

The other story is about a large American flag owned by a Massachusetts sea captain, William Driver, who retired in Nashville, Tennessee in 1837. He flew the flag proudly on every holiday until Tennessee seceded from the Union in July 1861. Driver was a staunch Unionist and grew concerned that the flag would be confiscated. He had it concealed in a quilt where it was safely hidden until February, 1862, when Union soldiers regained control. Driver is credited with coining the phrase, “Old Glory,” which he used to describe his precious 10 x 17 foot flag. It has now been restored and is part of the Washington Smithsonian Museum’s permanent exhibit.

I never would have thought to use one of my quilts as a hiding place for a precious treasure, would you? Hmm–I guess that gives us some food for thought. :) -Cat

William Driver's Flag, Old Glory

William Driver's Flag, Old Glory



Bear’s Paw, Duck’s Foot in the Mud, or Hand of Friendship?

I did a little research to find out the story behind the Bear’s Paw Quilt I started so many years ago. The Bear’s Paw block is well over 100 years old and possibly originated in pioneer America. It is related to the sawtooth border, which first appeared in many mid- nineteenth century quilts as a strip around the edge of the quilt and later, in blocks. (See example of a sawtooth border below) I personally imagine a creative woman designed the block from her impression of bear tracks near her cabin or perhaps, some wilderness trail. Regardless of how it actually came to be, the pattern has survived through the years and remains a very popular traditional pattern. In pioneer America, quilters who wanted to make a quilt for someone who was planning a dangerous undertaking often chose the Bear’s Paw design.

Sawtooth Border

Sawtooth Border

As a longarm quilter, I see many different types of quilts. Although I am a Civil War quilt enthusiast and love traditional blocks and reproduction fabrics, I have a deep appreciation for contemporary quilts as well. I have learned through my years of quilting for others that every quilt has its own story to tell. Sometimes traditional quilters have little appreciation for the symbolism in a contemporary quilt and vice versa. To follow my line of thought regarding traditional vs. contemporary, even traditional blocks like the Bear’s Paw are abstract designs made up of various geometric shapes to show someone’s concept of a bear’s track. In other parts of the United States where ducks are more common than bears, the Bear’s Paw is known as Duck’s Foot in the Mud. In Pennsylvania where Quakers (also known as Friends) settled, it is called the Hand of Friendship.  A 2009 quilt I recently quilted left nothing to the imagination at all with a realistic bear appliquéd on the quilt top.

Realistic Bear Applique

Realistic Bear Applique

Bear's Paw Block

Bear's Paw, Duck's Foot in the Mud, or Hand of Friendship?

These pictures further illustrate my point that every quilt tells a story based on the designer’s imagination and her creative use of shapes and patterns. Each one is special in its own right, wouldn’t you agree?  -Cat